
Bruno Ferrandis began his tenure as music director
and conductor of the Santa Rosa Symphony in Fall
2006. Born in Algiers in 1960 and raised in Nice,
France, Ferrandis lives in Paris, and will take
up residence in Sonoma County beginning in the
2007-2008 Symphony season. He has conducted all
over the world, and his breadth of musical experience
includes not only symphony and opera, but also
ballet, musical theater and cinema-accompanying
music.
A graduate of
the Guildhall School of Music and Drama in
London, he received a master’s degree in conducting from the Juilliard
School. He was conductor of the Juilliard Pre-College Orchestra
and the Juilliard Opera Center. He also co-founded the New Music
ensemble “Music Mobile” in New York
City, and has recorded three compact discs with
the Radio France Orchestra.
Conducting credits
include modern and classical ballet companies
in New York City, France and Italy. In Asia,
he conducted the Hong Kong Philharmonic and
the Hong Kong Sinfonietta, The Seoul Philharmonic,
and worked with the Tokyo New National Theater.
In Israel, he conducted the Jerusalem Symphony
Orchestra; in Eastern Europe, the Polish Radio
Orchestra, the Prague State Theater Orchestra,
the Belgrade Philharmonic Orchestra; in Great
Britain, the BBC Northern Orchestra; in Germany
and Austria: the Lübeck Hanseatic Orchestra, the Mainz Bach Chor, the Wien
Klang Forum; in Italy, the Orchestra Regio di Torino, the Opera
of Genoa Orchestra, the Friuli-Venezia-Giulia Orchestra; in Spain,
the Pamplona Sarasate Orchestra, the Madrid Radio-Television Orchestra,
the Seville Symphony Orchestra, the Valencia Orchestra. In France,
he has conducted in all the major cities including Bordeaux and
the Monte Carlo Philharmonic Orchestra. In 1997 he received a “Critic’s
Grand Prize” for his conducting of Wozzeck
by Manfred Gurlitt.
In North America, Ferrandis conducted major opera works at the
Canadian Opera Company (Toronto) and served as Music Director of
the Banff Art Center (Alberta) from 1991 to 2000. And he conducted
numerous concerts with the Aspen Festivals Orchestras until 1994.
Ferrandis has
also collaborated with a wide variety of entertainment
artists such as the actors and movie directors
John Neville, Atom Egoyan, Colm Feore, Robert
Lepage, François Girard, Stephen
Wadsworth
and choreographer Martha Clark.
And he has worked
closely with the following living composers:
in America with Jacob Druckman (created a workshop
of his opera Medea), William Schuman, David
Diamond, George Tsontakis, Edward Campion and
Ezequiel Vinao; in Canada with Randolph Peters
and Harry Sommers (their operas);
in France and Europe with Martin Matalon (the
music for Fritz Lang’s
movie Metropolis), Mauricio Kagel and his lively
music theater (Warsaw Autumn Festival), Ahmed
Essyad (Oratorio for the Theater Festival in
Avignon, France), Claude Ballif, Yves Prin,
Pascal Dusapin, and celebrated composers Pierre
Boulez and Luciano Berio.
Bruno Ferrandis speaks his native French, as well as Italian, Spanish,
German, and Russian. He also studies ancient Hebrew and ancient
Greek to allow reading of the great texts of biblical and mythological
times.
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